Mmegi

Do poets have a free hand in their vocation?

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A local poet’s recital over the weekend at the reinstatement ceremony of Kgosi Khama IV in Serowe has generated controversy, especially among Bakgalagadi. The adage, “Pina ya Setswana ga ena bosekelo” has long been used to shield artists from criticism of their creations. But where do we draw the line when such works offend someone else? Mmegi Staffer SHARON MATHALA, writes about the topic that has elicited divided opinion in society

Poet, Sani Mafote (78) recited the poem with evocative words as Bangwato welcomed their rightful kgosi to the kgotla after 99 years. The poem was initially met with enthusiastic applause. But his words have been interpreted by other people, especially the Bakgalagadi community to be offensive and somehow continue to perpetuate stereotypes and trivialise their past struggles. Mafote now finds himself in the heat of controversy. ‘Mong-arona o tsile rea leboga, hare ne o seo maloba re atholwa Sekgalagadi, re atholwa ke bo Masisi le bo Tsogwane.... ...Bana ba monna esi bagana go bidiwa Makgalagadi goroga ka pula phuthi’. These are some excerpts from Mafote’s poem.

The poem has, however, irked some quarters whose view is that the poem has far-reaching implications for the minority tribes. As such, they believe the poem was insensitive and offensive. From time immemorial, the Bakgalagadi tribe has been considered one of the minority tribes in Botswana. But now in the wake of ‘me2 movements’ and ‘I wear what I want’ the woke generation is having none of it.


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