Mmegi

When seeing is no longer believing

Thomas Nkhoma. PIC KENNEDY RAMOKONE
Thomas Nkhoma. PIC KENNEDY RAMOKONE

A society that treats every image as truth invites manipulation. A media environment that abandons standards in pursuit of relevance invites its own extinction. Ultimately, this is not a debate about technology. It is a moral question about what kind of public sphere we want to inhabit. Writes THOMAS THOS NKHOMA

I read with keen interest a Facebook post in which the writer felt compelled to issue a disclaimer that a photograph circulating on social media, one allegedly depicting her with South Sudanese President Salva Kiir Mayardit, was not authentic. The image, she explained, had been generated using artificial intelligence (AI). More striking than the clarification itself was her appeal to the public, and to media practitioners in particular, to verify information from official sources and to refrain from sharing manipulated or unverified content. But what lingered long after reading the post was her sobering caution: “In 2026, visual content alone is no longer sufficient proof of authenticity.”

That statement marks a quiet but profound rupture with how societies have understood truth for more than a century. For generations, photographs and video footage carried a special authority. Words could be disputed, testimonies questioned, but an image was often treated as the final word.

Editor's Comment
‘Fake’ drugs: A matter of life, truth and accountability

When claims of such gravity are made, especially by a sitting Assistant Minister they cannot be brushed aside, delayed, or treated as routine political noise. Even the Ombudsman has confirmed receipt of a report from a political party and a review of these complaints is now underway. That is a necessary first step. But it is only the beginning. The seriousness of the allegations demands urgency, transparency and clarity. The public is entitled to...

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