Lifestyle

Ezra Neethings on being authentic, streaming success and the future

Ezra Neethings has emerged as arguably Botswana’s artist of the year for 2025. His music continues to dominate local charts, while his popularity has made him one of the most booked artists during the festive season Story on page A2 PIC: MORERI SEJAKGOMO
 
Ezra Neethings has emerged as arguably Botswana’s artist of the year for 2025. His music continues to dominate local charts, while his popularity has made him one of the most booked artists during the festive season Story on page A2 PIC: MORERI SEJAKGOMO

On stage, Ezra Neethings, whose real name is Esere Diloro, is commanding and larger than life. Off stage, however, he is reserved and introspective; a personality he says is shaped by growing up in the village, far from city life. “I’m not really under pressure to be some type of way because I don’t resonate with city life. I resonate with village life. I relate to people who are low in life because I’ve been there,” he said. Though raised in a village, Ezra Neethings has become a household name beyond Botswana’s borders. Social media, particularly TikTok, has propelled his music across the continent, exposing it to audiences unfamiliar with the language but drawn to its authenticity.

His chart-topping hit Merwalela remains one of the most-streamed songs in Botswana. According to Ezra Neethings, its breakthrough moment came when it gained traction on South African TikTok. “That’s when it really started to make sense and show results when I realised the music had entered a new level,” he said. Despite predominantly singing in vernacular, Ezra Neethings’ music enjoys international appeal. He attributes this to his commitment to reality-based storytelling. “I sing about reality. I don’t sing about fantasies or things I don’t know. That’s why people relate to it, even outside the country,” he explained. On the impact of streaming platforms, Ezra believes success in music is now defined differently. “Streaming platforms have replaced CDs and even radio airplay. Radio can chart your song once, and it’s done, but streaming allows people to speak. It gives power to the listeners,” he said, adding that digital platforms have shifted the influence away from traditional music compilers. While the music scene remains competitive, Ezra believes standing out requires originality rather than trend-chasing. “When you don’t follow trends, you become the trend,” he said.

However, with digital success often comes the pressure to deliver. Ezra Neethings says he refuses to create under pressure. “You don’t lose your mind trying to find something bigger. You continue doing what gave you success in the first place. The moment you chase pressure, that’s when things crumble,” he said. Social media, he added, has become an essential promotional tool. “Everybody lives on the internet. You don’t wait for the seven o’clock news anymore. Social media allows you to build a community and reach people directly,” he said. On whether digital platforms are financially beneficial, Ezra Neethings was candid, stating that artists remain underpaid. “Streaming platforms underpay musicians, especially by region. A million streams can earn around P100,00.00, sometimes even less, depending on where you’re based,” he said.

Reflecting on lessons learnt, Ezra said authenticity may delay success, but it guarantees longevity. “If you’re authentic, you might not rise instantly, but when you do, people will feel it. The authenticity never changed, never folded,” he said. For Ezra, music transcends entertainment. “Music is spiritual. It’s meant to touch the soul. You can’t dish out things that don’t make sense. The reality I sing about, and how I play with melodies, that’s what sets me apart,” he said.

Fast facts about Ezra Neethings

-l I listen mostly to hip hop l

-I rarely listen to the genre of music I create

-I don’t drink or smoke

-I prefer staying at home

-I was born and raised in Selebi Phikwe

-I am a former police officer