Crafting culture with every stitch

Otlarongwa Kgweetsi | Monday June 23, 2025 06:40

 

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Matlhogonono Onowe, known by many as Matty, is redefining what it means to be a self-taught artist in Botswana. Through crochet, braiding, and makeup, she has built more than a business and created a language of self-expression rooted in purpose and pride. Matty’s crochet journey began in August 2023, born from curiosity and the desire for a peaceful pastime. “At first, it was just a fun hobby. I never imagined it would grow into a business, the creativity and peace I found in it drew me in deeply,” she says. What started as side hustles in hairdressing and beauty has evolved into a form of empowerment for herself and others. Each crochet piece she makes tells a story sometimes light-hearted, yet others heavy with emotion, but always intentional. In an interview with Arts&Culture, she explained that crocheting gives her a sense of purpose and calm. It is also a form of therapy, something that helps her disconnect from stress and reconnect with herself. For Matty, crochet is more than fabric and fibre. It’s emotional labour, translated stitch by stitch.

“Each piece reflects my mood, my growth, or a season I was going through. One of my most meaningful creations was made during a difficult time. I poured all my emotions into it, and it came out more beautiful than I expected,” she shares. Her creative influences stretch from fashion trends and nature to the bold colours found in Setswana beadwork and traditional celebrations. “I’m inspired by traditional Setswana patterns and the richness of our culture,” Matty says. “Being surrounded by Botswana’s beauty plays a big role in shaping my style.” Despite her growing success, Matty remains grounded in the belief that art does not require formal training. “I didn’t go to school for crochet, makeup, or hair, I taught myself, and that’s something I’m very proud of,” she says. “I hope my story inspires someone else to start where they are, use what they have, and believe in their talent,” she says. Her creations, often praised for their neatness and intricate detail, surprise first-time viewers who find it hard to believe they are handmade. “Many people ask if it’s really crochet,” she says. “They admire the detail, and that makes me proud,” she adds.



Crochet, once dismissed as a domestic craft, is steadily earning its place in Botswana’s creative landscape. “It’s not always taken seriously, but that’s changing,” Matty observes. “People are beginning to respect it more, especially as they see what’s possible with yarn and a hook,” she remarks. Although she has not yet showcased her work in exhibitions or collaborative spaces, she is optimistic about the possibilities. “I believe showcasing my crochet in creative spaces would help people see it not just as a craft, but as a form of wearable art,” she says. Looking ahead, Matty envisions a future where crochet is embraced as part of Botswana’s evolving artistic movement. “I believe creatives in Botswana are beginning to redefine how we view handmade art and self-expression. Crochet is now part of that shift,” she states. In an industry where burnout can dim the creative flame, Matty keeps her spirit alive by remembering why she began. “It was never just about money, it was about passion. I take breaks when I need to, but I never give up because crochet makes me feel alive,” she says.