Kerry James Marshall: Challenging racism in art history

Kerry James Marshall in 2014 (Felix Clay). All rights reserved /Courtesy David Zwirner, London).
Kerry James Marshall in 2014 (Felix Clay). All rights reserved /Courtesy David Zwirner, London).

For centuries black people appeared in art as slaves or exotic novelties – and the painter Kerry James Marshall wants to challenge these racist ideas. He talks to Alastair Sooke.

“When I go to the movies, I’m expected to identify with all of the characters, and most of them are white,” says the African-American artist Kerry James Marshall, sitting on the top floor of David Zwirner’s immaculate gallery in a Mayfair townhouse in London, where his new exhibition of paintings Look See has just opened. “But when you put a black character in there, somehow the white audience isn’t expected to identify with them. That’s a problem.”

He smiles, before continuing: “If you walk into any magazine store, I guarantee that nine out of 10 covers will feature white, blonde, blue-eyed, slim women because that’s still the ideal of beauty. When a black or Asian figure shows up in a fashion magazine, she’s the exception, not the rule. So what does that mean when we talk about equality? To me, equality means that I would be as likely to see black figures as anybody else.”

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